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Observer, 07/20/20 |
By James Jorden |
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Met in HD online: Polling, Opern-Recital, 18. Juli 2020 |
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Jonas Kaufmann Sings in a Bavarian Abbey for the Met’s First Solo Streaming Recital
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“Any sufficiently advanced technology is indistinguishable from magic,”
noted the legendary science fiction author author Arthur C. Clarke about
half a century ago. And it’s probably just as well to ascribe to magic the
complex and sophisticated process that enabled the first in the series of
Met Stars Live in Concert. Superstar tenor Jonas Kaufmann was whisked from
an abbey in rural Bavaria to my home office in Queens, in HD video and as
near to real time as makes no difference!
The real marvel of this
technological wizardry is that it is so elegantly crafted it almost
completely recedes into the background. The half-dozen moving cameras, the
elaborate mixing board and of course the distribution of the polished
product serve humbly and effectively to spotlight Kaufmann and his music.
The result is intimate and informal, almost like a visit to the tenor’s
drawing room after dinner. (That is, if we were currently going to people’s
houses for dinner.)
The program clearly seemed conceived to broad
appeal: a dozen arias from romantic and late-romantic Italian and French
composers, all of them brief and moving swiftly to the point: that is, a
ringing high note in the vicinity of B-flat.
That range, and to an
only slightly lesser extent, that style, suit Kaufmann handsomely. At 51,
the singer retains a burnished bronze tone and a thrilling method of leaping
up to those very effective high notes. On Saturday, only a trace of a
scratch marred the dark splendor of his middle voice.
I must say,
though, that the unremitting heroics of the various short numbers began to
wear me down after a while. Even in a program lasting barely 80 minutes,
there’s only so much wild-eyed exultation one can take. And that’s
especially true in this case, as Kaufmann is not at his absolute best in
Italianate clamor, but rather in moodier, complex moments, such as the ones
demonstrated on archival video during scheduled breaks in the proceedings.
A novelty of this program was the subtle performance of pianist Helmut
Deutsch of a couple of orchestral interludes from “verismo” era operas,
complementing Kaufmann’s sung repertoire. It did feel like a tiny gaffe for
Deutsch to include an excerpt from Manon Lescaut, an opera Kaufmann
notoriously canceled at the Met on barely two weeks’ notice back in 2016.
This jewel of a program, just the thing for a romantic summer evening,
will remain available online through July 29, at which time the Met will
offer another superstar recital, this one from Renée Fleming, live in the
music room of Dumbarton Oaks mansion in Washington DC.
Kaufmann
“returns” Sunday July 26 for a streaming Met performance of Puccini’s La
Fanciulla del West opposite Eva-Maria Westbroek, and earlier in the week the
company offers such delights as Anna Netrebko and Roberto Alagna in Roméo et
Juliette, and Fleming once again in Der Rosenkavalier.
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