|
|
|
|
|
The Guardian, 10 October 2013 |
Tim Ashley |
|
Jonas Kaufmann: The Verdi Album |
|
Jonas
Kaufmann's long-awaited Verdi Album is something of a disappointment. Of the
11 operas from which he sings extracts, only two – Rigoletto and Don Carlos
– were in his stage repertoire at the time of recording. His voice has grown
weightier, and some of Verdi's more lyrical music now no longer suits him.
He belts La Donna è Mobile. Quando Le Sere al Placido from Luisa Miller
turns blowsy at its climax. Unusually for a singer noted for interpretative
subtlety, he's at his best in I Masnadieri and Il Trovatore where Verdi is
at his most upfront. You get a sense of how good he might be one day as
Otello and, above all, as Radames, though by his own admission he's not
ready for either. But I rather wish he'd waited until more of this music was
in his system before recording it. He's not helped by stodgy conducting and
an over-close recording.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|