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Islington Tribune, 25 November 2010 |
SEBASTIAN TAYLOR |
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Ciléa: Adriana Lecouvreur, Royal Opera House, 18 November 2010 |
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Classical and Jazz: Latest News
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CUTS? What cuts? No sign at the Royal Opera House, that’s for sure.
Its new production of Cilea’s neglected opera Adriana Lecouvreur is so
sumptuous and lavish with an array of magnificent costumes that it seems on
a different planet to The Cuts. That’s reflected in tickets priced as high
as£900, partly to subsidise cheapest tickets at only £9.
Also, the
ROH production costs are shared with opera houses in Barcelona, Paris, San
Francisco and Vienna staging the production in months to come.
The
opera hasn’t been put on at the ROH since 1906, shortly after it was
composed by Francesco Cilea, a contemporary of Puccini. It’s not difficult
to see why. The opera’s labyrinthine plot involves goings-on between
Parisian aristocrats and actors at the Comédie Française and the orchestral
scoring is tedious at times. Suffice to say, an actress and a princess have
both got the hots for a dashing aristocrat and, after one machination after
another, the actress dies a lingering death after kissing poisoned violets
sent by the horrible princess.
In the ROH production, top drawer
soprano Angela Gheorghiu as actress Adriana sang exquisitely if not with
great passion.
German tenor Jonas Kaufmann as aristocrat
Maurizio, complete with designer stubble, lived up to his burgeoning
reputation as the opera world’s new Placido Domingo.
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