|
|
|
|
|
The Telegraph |
Rupert Christiansen |
Schumann: Four songs from Opus 35 and Dichterliebe Opus 48; Liszt: Three
Petrarch Sonnets (1838 versions); Richard Strauss: Six songs
|
Excerpt from: The stuff of which legends are made
|
Queen's Hall |
|
Jonas
Kaufmann is a Munich-born and trained tenor with dark flowing locks, angelic
smile and a striking resemblance to popular images of Jesus Christ.
In a first half devoted to Schumann, he sounded distinctly baritonal, short
of variety of colour and only intermittently in control of his top register.
Then, half-way through Dichterliebe (at "Hor'ich das Liedchen klingen", to
be precise), the voice eased and blossomed, revealing the makings of a
considerable artist.
By the time he returned after the interval with some of Liszt's Petrarch
sonnets, Kaufmann was producing a stream of clarion tone, and one could also
admire his eloquent enunciation and firm tuning.
A final Strauss group, culminating in a bold plunge into the maelstrom of
Wie sollten wir geheim, brought him a richly deserved ovation and left
us all keen to hear more. Helmut Deutsch was his stormy and challenging
accompanist. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|