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ABC Limelight, Jun 29, 2011 |
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Today's 12 Greatest Opera Singers
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Limelight's panel of experts presents 12 opera stars making musical
history. |
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Renée Fleming Natalie Dessay Anna Netrebko Cecilia Bartoli Elina
Garanca Joyce DiDonato Juan Diego Flórez Plácido Domingo
Jonas Kaufmann “Kaufmann has Wunderlich’s magical fusion
of Heldentenor power and lyrical tenderness in equal quantities.” Greg Keane
Jonas Kaufmann has been hailed by many as the greatest German lyric
tenor since Fritz Wunderlich, especially since his 2009 recording of Die
Schöne Müllerin has become regarded as a new benchmark. But, like most of
the singers on this list, Kaufmann has made a career out of his versatility,
garnering plaudits for his roles in Italian, French and, of course, German
opera. His Florestan is a perfectly controlled mixture of agony and
exaltation. His Don Jose gets the kind of acclamation rarely reserved for
any tenor not called Domingo. While Kaufmann’s voice is capable of the most
lyrical sweetness, making him an accomplished performer of Lieder, one is
constantly astonished by the size of his voice on the opera stage.
He began his stage career at the Staatstheater Saarbrücken in 1994, then did
the rounds of the German opera houses, becoming known for his Tamino in Die
Zauberflöte and Belmonte in Die Entführung. Now based in Zurich, where he
has had a contract at the opera house since 2001, Kaufmann has moved into
the darker waters of Wagner, performing the title roles of Parsifal and
Lohengrin. The tenor’s good looks – more Latin lover than German Heldentenor
– are also no disadvantage to the singer in a recording business desperate
to make opera look sexy. After a calling-card first solo album for Decca,
his sophomore album is a more focused effort of Mozart, Beethoven and
Wagner. Kaufmann has taken a slightly too highbrow path to repeat the
stadium success of The Three Tenors – but his talent is a match for any of
theirs.
Bryn Terfel Simon Keenlyside René Pape
Thanks
to our panel Warwick Fyfe, baritone; Amelia Farrugia, soprano; Emma
Matthews, soprano; Brian Castles-Onion, conductor; Brett Weymark, conductor;
Anthony Legge, conductor; Damien Beaumont, ABC presenter; Maree Ryan, chair
of vocal studies, Sydney Conservatorium; Sarah Noble, opera critic; Anthony
Clarke, Limelight critic; Greg Keane, Limelight critic; Ken Page, Limelight
critic; Francis Merson, Limelight editor; Steven Murdoch, Limelight reader;
Roberta Small, Limelight reader.
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