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Sunday Times, 24 Oct
2010 |
HC |
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CD of the week - Verismo Arias |
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It's
hard to think of another tenor with the stylistic versatility of Jonas
Kaufmann. Here, he is getting his teeth into the raw meat of late-19th-
and early-20thcentury Italian opera. One day he's Fritz Wunderlich, the
next he's Franco Corelli. Well, actually, he's a unique singer, in my
experience, who transcends all attempts to pigeonhole him. He perhaps
doesn't have the trumpety clarion ring of Corelli or Mario del Monaco,
the most celebrated examples of the dramatic Italian "tenore di forza"
of the modern age, and his timbre is darker, more gravelly in sound, and
a size or two smaller. Arguments continue to rage about his suitability
for Italian repertoire, but Canio's famous Vesti la giubba from
Leoncavallo's Pagliacci here sounds pretty convincing — both grimly
sardonic and grief-stricken. Perhaps he mimics some Italian-tenorial bad
habits — gulps and sobs and long-held high notes — in such potboilers as
Amor ti vieta (Giordano's Fedora) and La dolcissima effigie (Cilea's
Adriana Lecouvreur, in which he is soon to appear at Covent Garden), but
there is rare sensitivity to the words in his Lamento di Federico
(Cilea's L'Arlesiana) and Turiddu's Mamma, quel vino è generoso
(Mascagni's Cavalleria Rusticana). The best news is Kaufmann's thrilling
Andrea Chénier (Giordano): a gripping Improviso is followed by a soaring
Come un bel dì di maggio, and the disc ends with the Act IV duet with
Eva-Maria Westbroek. One hopes this might be a taster, too, for a Covent
Garden production. |
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