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Classical Voice North America, October 6, 2013
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By Richard S. Ginell |
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New Verdi Discs for his 200th birthday |
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The
Requiem is probably one of Kaufmann’s last appearances under the Decca flag,
for the star tenor just jumped ship to arch-rival Sony, which in turn has
put out “The Verdi Album” as his label debut. As in the Requiem, Kaufmann’s
timbre is dark, rich, smooth as glass in phrasing, with a vibrato that
rings. He achieves an exquisite fade to pianissimo on “Celeste Aida,”
beautifully controlled; the scene from Il Trovatore has electricity, the
high C wrought with warlike desperation. The backing by the Orchestra
dell’Opera di Parma under Pier Giorgio Morandi is excellent, well played and
simpatico with the style in a sweep of arias from I Masnadieri through
Otello – and the “deluxe” version has an excerpt from Macbeth as a bonus
track.
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