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The Jordan Times, Jordanien |
By Jean-Claude Elias |
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Kaufmann - great interpretation
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AMMAN - Fresh, new, this is the first sentiment that Jonas Kaufmann’s
voice inspires. The collection of 13 popular arias featured on the new CD,
taken from the opera repertoire, is a smart selection guaranteed to please
classical music lovers. From “E lucevan le stelle” (Puccini, Tosca) and
“La fleur que tu m’avais jetée” (Bizet, Carmen), to “Ella mi fu rapita”
(Verdi, Rigoletto) and “Che gelida manina” (Puccini, La Bohème), Kaufmann
displays exquisite musicality and the genuine, unaltered passion of
someone who is relatively a newcomer on the international music scene.
Though he has been singing professionally since1990 , winning the Nürnberg
Meistersinger Competition in1993 , the German tenor has only acquired an
international standing after2000 .
His voice warm and full, he is also quiet in control of the tempo.
Kaufmann delivers a great interpretation of the arias. He is versatile and
appears equally brilliant in the different pieces recorded for the CD. As
different as “Lunge da lei” (Verdi, La Traviata) and “Quel trouble
inconnu” (Gounod, Faust) may be in composition and style, Kaufmann manages
to conjure up the right musical and dramatic atmosphere. This versatility
allows him to tackle a wide variety of music programmes.
With a voice that possesses more bass texture than the typical tenor,
Kaufmann sounds as if he would fare even better as a baritone, as many a
critic has suggested. His very high notes are not as clear and sustained
in tonality as, for instance, those the great tenors like Placido Domingo
and Luciano Pavarotti can sing. Still, brushing aside a couple of very
minor technical issues, Kaufmann channels undeniable charm in his singing,
and listening to the entire CD is pure pleasure.
The deep, sheer strength of the singer’s voice would perhaps serve even
better music that is very powerful in terms of sound level and dynamics,
like Wagner’s for instance or Schubert’s Lieder, more than soft Italian
and romantic French opera tunes.
The choice of the well-known 13 arias, actually some of the most
interpreted in the entire operatic repertoire, is a double blessing for
someone like Kaufmann. On one hand the selection is a guarantee to please,
given the quality and the popularity of the music, on the other hand it
unmistakably leads to comparison with all the legendary singers that have
interpreted these pieces before. Such comparisons are not necessarily to
the advantage of Kaufmann.
The orchestra accompanying Kaufmann is the Prague Philharmonic and it is
conducted by Marco Armiliato. The orchestra does an excellent job but
nothing outstanding; the stress is on Kaufmann’s voice and interpretation
anyway. “Romantic Arias” is a CD produced and released by Decca, the
prestigious classical label, known for its pristine, eclectic recordings.
There’s a video available online where Kaufmann introduces the CD and that
shows nice excerpts from the recording. The video adds a visual element
that obviously cannot be experienced merely playing back the audio disc;
it is the charisma that Kaufmann is blessed with.
This element plays an important role in live performances. |
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