|
|
|
|
|
The Evening Standard, 18
February 2009 and La Scena.org |
Norman Lebrecht |
CLASSICAL CD OF THE WEEK
|
Puccini: Madama Butterfly
|
Puccini: Madama Butterfly
Angela Gheorghiu (Cio-Cio-San), Jonas Kaufmann (Pinkerton), Orchestra
dell'Accademia Nazionale di Santa Cecilia, cond Antonio Pappano
EMI 2 64187 2, 2 CDs |
|
Five
years ago this summer, EMI put together what it said was going to be the
last-ever studio recording of an opera, a stunning Tristan und Isolde with
Nina Stemme and Placido Domingo, conducted by Antonio Pappano. Never is the
longest word in the language when it returns to haunt you, and here’s a new
regime at EMI, back in studio in Rome, with a Butterfly conducted by the
selfsame Pappano.
The orchestra of Santa Cecilia play like ice-creams in the Colosseum sun –
meltingly, that is – (slightly different in the Evening Standard "The
orchestra of Santa Cecilia play with a silken touch
at the sorrowing moments")
and the cast is mostly local, with the exception of Angela Gheorghiu
and Jonas Kaufmann on whom the project hinges. Gheorghiu is too forceful to
make a weak-willed geisha, and Kaufmann matches her with a vocal virility
that needs no chemical aids. This is Winslet-Di Caprio casting, a jousting
of differences that engages heart and mind regardless of plot inanities. The
limelight arias, nicely bedded into the relationship, may not dazzle quite
as much on a highlights disc.
There is no obvious Butterfly to recommend on record. Freni-Pavarotti is
three decades old and Karajan conducts like a Baedeker tourist guide;
Callas, Tebaldi, Scotto and de los Angeles all have shortcomings. This could
go down as an historic record – not least because the executive that okayed
it has gone and it is now certain that there will never be another studio
opera. Or nearly never. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|